Bot Pots - Botany Pottery Studio

3D Bay Blue Underglaze

$10.00 for 100ml

3D EFFECTS BAY BLUE (code: 3D- BB)

Trail onto bisque or greenware. overglaze with Abbots Clear.
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3D Black Underglaze

$10.00 for 100ml

3D EFFECTS BLACK (code: 3D-BK)

Trail onto bisque or greenware. Overglaze with Abbots clear.
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3D Bright Yellow Underglaze

$10.00 for 100ml

3D EFFECTS BRIGHT YELLOW (code: 3D-BY)

Trail onto bisque or greenware. Overglaze with Abbots Clear.
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3D Dark Green Underglaze

$10.00 for 100ml

3D EFFECTS DARK GREEN (code: 3D-DG)

Trail onto Greenware or bisque. Overglaze with Abbots clear.
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3D Red Underglaze

$10.00 for 100ml

3D EFFECTS RED (code: 3D-RED)

Trail onto bisque or greenware. Overglaze with Abbots clear.
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3D White Underglaze

$10.00 for 100ml

3D EFFECTS WHITE (code: 3D-WH)

Trail onto bisque or greenware. Overglaze with Abbots clear.
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Abbots “Brush On” Clear Glaze

$20.00 for 1ltr
Abbots Brush On Clear Glaze Cone 3-6

$20.00 for 1lt

This user-friendly clear glaze may be applied over Claybright or other underglazes.
Great for repairs or touching up during glazing.
Excellent for brushing on very small items.
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Abbots Clear Glaze

$35.00 for 2kg

Now formulated and blended in New Zealand.

Abbots Clear is a low expansion glaze that will work well on a variety of bodies and over underglaze decoration. Abbots Clear is well matched to Primo Clays Production White PW-10 and Mid-fire Porcelain.

The recommended firing range for this glaze is from 1100C to 1220C.
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Abbots Clear Glaze - 1kg

$20.00 for 1kg

Now formulated and blended in New Zealand.

Abbots Clear is a low expansion glaze that will work well on a variety of bodies and over underglaze decoration.
Abbots Clear is well matched to Primo Clays Production White PW-10 and Mid-fire Porcelain.

The recommended firing range for this glaze is from 1100C to 1220C.
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Abbots Clear Glaze - 25kg

$290.00 for 25kg

Now formulated and blended in New Zealand.

Abbots Clear is a low expansion glaze that will work well on a variety of bodies and over underglaze decoration.
Abbots Clear is well matched to Primo Clays Production White PW-10 and Mid-fire Porcelain.

The recommended firing range for this glaze is from 1100C to 1220C.
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Abbots Clear Glaze - 5kg

$80.00 for 5kgs

Now formulated and blended in New Zealand.

Abbots Clear is a low expansion glaze that will work well on a variety of bodies and over underglaze decoration.
Abbots Clear is well matched to Primo Clays Production White PW-10 and Mid-fire Porcelain.

The recommended firing range for this glaze is from 1100C to 1220C.
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Abbots Clear Porcelain Glaze

$18.00 for 1kg

Now formulated and blended in New Zealand.

This low expansion glaze performs well over a variety of clay bodies.

Recommended firing range is 1140 - 1250C
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Abbots Glazes - Suggested Mixing and Firing details

$0 for 0
Abbots Range of Glazes Poster

$. for .
Abbots Range of Glazes Poster

$. for .
Abbots Universal Medium

$25.00 for 1ltr
Abbots Universal Medium

$25.00 for 1ltr
Abbots Universal Medium

$25.00 for 1ltr
Abbots White Glaze

$80.00 for 5kg

Now formulated and blended in New Zealand.

This glaze performs well over a range of bodies.

Recommended firing range 1100C to 1250C
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Abbots White Glaze

$20.00 for 1kg

Now formulated and blended in New Zealand.

This glaze performs well over a range of bodies.

Recommended firing range 1100C to 1250C
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Abbots White Glaze - 25kg

$325.00 for 25kg

Now formulated and blended in New Zealand.

This glaze performs well over a range of bodies.

Recommended firing range 1100C to 1250C
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Almond

$35.00 for 2kg
AMACO Underglaze Pencils BLACK

$25.00 for one pencil
AMACO Underglaze Pencils BLUE

$25.00 for one pencil
AMACO Underglaze Pencils BROWN

$25.00 for one pencil
AMACO Underglaze Pencils GREEN

$25.00 for one pencil
AMACO Underglaze Pencils ROSE

$25.00 for one pencil
AMACO Underglaze Pencils YELLOW

$25.00 for one pencil
Apricot

$35.00 for 2kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.

Mixing and firing suggestions are supplied with each pack.

Abbots Cone 6 Glazes

1.2litres of water per Kg of dry glaze is a useful starting point for mixing

Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 30 mins
(5) 80c per hour down to 1050c
(6) End
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Aqua Green

$51.00 for 500ml
Aqua Green

$12.00 for 100ml
Black

$17.00 for 100ml
Black

$72.00 for 500ml
Black Enamel Liquid

$35.00 for 50ml
Black Enamel Powder

$15.00 for 25g
Black Stain Z510 - Co-Ni-Cr-Fe 1280C

$20.00 for 100g
Blue Cobalt Enamel Liquid

$35.00 for 50ml
Blue Cobalt Enamel Powder

$15.00 for 25g
Blue Green

$69.00 for 500ml
Blue Green

$18.50 for 100ml
Blue Sky Enamel Liquid

$??? for 50ml
Blue Sky Enamel Powder

$15.00 for 25g
Bora Bora

$35.00 for 2kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.

Mixing and firing suggestions are supplied with each pack.

Abbots Cone 6 Glazes

1.2litres of water per Kg of dry glaze is a useful starting point for mixing

Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 30 mins
(5) 80c per hour down to 1050c
(6) End
Read about this product
Bright Violet Stain B9003 - Sn-Cr 1250C

$22.00 for 100g
Brown Golden Enamel Liquid

$??? for 50ml
Brown Golden Enamel Powder

$15.00 for 25g
Brown Golden Enamel Powder

$15.00 for 25g
Brown Green Enamel Liquid

$??? for 50ml
Brown Green Enamel Powder

$15.00 for 25g
Brown Mid Enamel Liquid

$??? for 50ml
Brown Mid Enamel Powder

$15.00 for 25g
Burgundy

$80.00 for 500ml
Burgundy

$19.00 for 100ml
Butter Cup Enamel Liquid

$??? for 50ml
Butter Cup Enamel Powder

$15.00 for 25g
Cadmium Red Glaze

$28.00 for 500g
Cadmium Red Glaze

$52.00 for 1kg

Mix with approx 1.2lts water - creamy consistency
Sieve well
1000c to 1150c
Toxic - non food safe
Runs down vertical surfaces
Test first

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Canary Yellow Glass GRAIN

$8.50 for 100g

Glass Grain - Canary Yellow
BGO184-G

Blowing or Casing Glass Colour Properties
These colours are constructed around 8 different base glasses, but the majority fit into three broad families.

Transparents:
We use a 28% lead oxide crystal matrix for all but the reds and yellows and photosensitive glass.
This base is easy to remelt, not prone to devitrification and gives particularly dense and brilliant colouration. Lead glasses are about 15% more elastic than common soda lime glasses, allowing for a greater expansion mismatch.

The reds and yellows, #’s 70-77 series, are lead free, containing either CdS.xSe or Cu2O. Based on a Soda Zinc matrix, they are colloidal colours and work best with soda lime clears with a close expansion match around 96 x 10-7 coefficient. See Gaffer Batch Not as elastic as the lead based colours. To avoid over striking, and consequently inducing opacity, try to work cold, with as few reheats as practicable.

Opals:
With the exception of #100 Enamel White and the Gold colours #’s 110 – 114, all of the colours are generated from the same lead free base. This makes our opal range unique, allowing colours to be combined with identical viscosity characteristics. The colours are dense, with overlays easily able to block out each other. This range has a relatively high softening point. We recommend a soak temperature of around 600oC (1110oF) before transferring rod to be heated in the glory hole, otherwise internal cracking (which you may not hear) will create small bubbles.

Chip and Powder:
Powder comes in two forms: Talc and Grain powder
Chip sizes are as follows:
KO 0.25 – 0.5mm, K1 0.5 – 2.0mm, K2 2.0 - 4.0mm K3 4.0 – 8.0mm.
Sizing is approximate, representing 95% of a sampling.
#’s 070, 071, & 072 are not offered in either talc or grain powder.

Rods: The rods vary in diameter between 30-32mm (11/4in).
The length is up to 400mm (16 in)

Density:
Glass blowers think weight rather than volume when they buy glass. Note from the photograph how all three rods are of equal length and diameter but weigh different amounts. Soda zinc and opal glasses are approximately 2.5g/cc, 28% lead glasses are approx. 3.0g/cc and Enamel White #100 is 3.7g/cc. Contrary to our competitors, most of our opal colours yield 20% more volume per weight owing to the fact they are lead free.

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Canary Yellow Glass POWDER

$8.50 for 100g

Blowing or Casing Glass Colour Properties
These colours are constructed around 8 different base glasses, but the majority fit into three broad families.
Transparents:
We use a 28% lead oxide crystal matrix for all but the reds and yellows and photosensitive glass.
This base is easy to remelt, not prone to devitrification and gives particularly dense and brilliant colouration. Lead glasses are about 15% more elastic than common soda lime glasses, allowing for a greater expansion mismatch.
The reds and yellows, #’s 70-77 series, are lead free, containing either CdS.xSe or Cu2O. Based on a Soda Zinc matrix, they are colloidal colours and work best with soda lime clears with a close expansion match around 96 x 10-7 coefficient. See Gaffer Batch Not as elastic as the lead based colours. To avoid over striking, and consequently inducing opacity, try to work cold, with as few reheats as practicable.
Opals:
With the exception of #100 Enamel White and the Gold colours #’s 110 – 114, all of the colours are generated from the same lead free base. This makes our opal range unique, allowing colours to be combined with identical viscosity characteristics. The colours are dense, with overlays easily able to block out each other. This range has a relatively high softening point. We recommend a soak temperature of around 600oC (1110oF) before transferring rod to be heated in the glory hole, otherwise internal cracking (which you may not hear) will create small bubbles.
Chip and Powder:
Powder comes in two forms: Talc and Grain powder
Chip sizes are as follows:
KO 0.25 – 0.5mm, K1 0.5 – 2.0mm, K2 2.0 - 4.0mm K3 4.0 – 8.0mm.
Sizing is approximate, representing 95% of a sampling.
#’s 070, 071, & 072 are not offered in either talc or grain powder.
Rods: The rods vary in diameter between 30-32mm (11/4in).
The length is up to 400mm (16 in)
Density:
Glass blowers think weight rather than volume when they buy glass. Note from the photograph how all three rods are of equal length and diameter but weigh different amounts. Soda zinc and opal glasses are approximately 2.5g/cc, 28% lead glasses are approx. 3.0g/cc and Enamel White #100 is 3.7g/cc. Contrary to our competitors, most of our opal colours yield 20% more volume per weight owing to the fact they are lead free.
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Carmine Glass GRAIN

$8.50 for 100g

Glass Grain - Carmine
BGO170-G

Blowing or Casing Glass Colour Properties
These colours are constructed around 8 different base glasses, but the majority fit into three broad families.

Transparents:
We use a 28% lead oxide crystal matrix for all but the reds and yellows and photosensitive glass.
This base is easy to remelt, not prone to devitrification and gives particularly dense and brilliant colouration. Lead glasses are about 15% more elastic than common soda lime glasses, allowing for a greater expansion mismatch.

The reds and yellows, #’s 70-77 series, are lead free, containing either CdS.xSe or Cu2O. Based on a Soda Zinc matrix, they are colloidal colours and work best with soda lime clears with a close expansion match around 96 x 10-7 coefficient. See Gaffer Batch Not as elastic as the lead based colours. To avoid over striking, and consequently inducing opacity, try to work cold, with as few reheats as practicable.

Opals:
With the exception of #100 Enamel White and the Gold colours #’s 110 – 114, all of the colours are generated from the same lead free base. This makes our opal range unique, allowing colours to be combined with identical viscosity characteristics. The colours are dense, with overlays easily able to block out each other. This range has a relatively high softening point. We recommend a soak temperature of around 600oC (1110oF) before transferring rod to be heated in the glory hole, otherwise internal cracking (which you may not hear) will create small bubbles.

Chip and Powder:
Powder comes in two forms: Talc and Grain powder
Chip sizes are as follows:
KO 0.25 – 0.5mm, K1 0.5 – 2.0mm, K2 2.0 - 4.0mm K3 4.0 – 8.0mm.
Sizing is approximate, representing 95% of a sampling.
#’s 070, 071, & 072 are not offered in either talc or grain powder.

Rods: The rods vary in diameter between 30-32mm (11/4in).
The length is up to 400mm (16 in)

Density:
Glass blowers think weight rather than volume when they buy glass. Note from the photograph how all three rods are of equal length and diameter but weigh different amounts. Soda zinc and opal glasses are approximately 2.5g/cc, 28% lead glasses are approx. 3.0g/cc and Enamel White #100 is 3.7g/cc. Contrary to our competitors, most of our opal colours yield 20% more volume per weight owing to the fact they are lead free.

Read about this product
Carmine Glass POWDER

$8.50 for 100g

Blowing or Casing Glass Colour Properties
These colours are constructed around 8 different base glasses, but the majority fit into three broad families.
Transparents:
We use a 28% lead oxide crystal matrix for all but the reds and yellows and photosensitive glass.
This base is easy to remelt, not prone to devitrification and gives particularly dense and brilliant colouration. Lead glasses are about 15% more elastic than common soda lime glasses, allowing for a greater expansion mismatch.
The reds and yellows, #’s 70-77 series, are lead free, containing either CdS.xSe or Cu2O. Based on a Soda Zinc matrix, they are colloidal colours and work best with soda lime clears with a close expansion match around 96 x 10-7 coefficient. See Gaffer Batch Not as elastic as the lead based colours. To avoid over striking, and consequently inducing opacity, try to work cold, with as few reheats as practicable.
Opals:
With the exception of #100 Enamel White and the Gold colours #’s 110 – 114, all of the colours are generated from the same lead free base. This makes our opal range unique, allowing colours to be combined with identical viscosity characteristics. The colours are dense, with overlays easily able to block out each other. This range has a relatively high softening point. We recommend a soak temperature of around 600oC (1110oF) before transferring rod to be heated in the glory hole, otherwise internal cracking (which you may not hear) will create small bubbles.
Chip and Powder:
Powder comes in two forms: Talc and Grain powder
Chip sizes are as follows:
KO 0.25 – 0.5mm, K1 0.5 – 2.0mm, K2 2.0 - 4.0mm K3 4.0 – 8.0mm.
Sizing is approximate, representing 95% of a sampling.
#’s 070, 071, & 072 are not offered in either talc or grain powder.
Rods: The rods vary in diameter between 30-32mm (11/4in).
The length is up to 400mm (16 in)
Density:
Glass blowers think weight rather than volume when they buy glass. Note from the photograph how all three rods are of equal length and diameter but weigh different amounts. Soda zinc and opal glasses are approximately 2.5g/cc, 28% lead glasses are approx. 3.0g/cc and Enamel White #100 is 3.7g/cc. Contrary to our competitors, most of our opal colours yield 20% more volume per weight owing to the fact they are lead free.
Read about this product
CB - Albany (200ml)

$16.00 for 200ml
CB - Albany (75ml)

$8.00 for 75ml
CB - Aquamarine (200ml)

$16.00 for 200ml
CB - Aquamarine (75ml)

$8.00 for 75ml
CB - Aubergine (200ml)

$16.00 for 200ml
CB - Aubergine (75ml)

$8.00 for 75ml
CB - Avocado (200ml)

$16.00 for 200ml
CB - Avocado (75ml)

$8.00 for 75ml
CB - Bay Blue (200ml)

$16.00 for 200ml
CB - Bay Blue (75ml)

$8.00 for 75ml
CB - Berry (200ml)

$16.00 for 200ml
CB - Berry (75ml)

$8.00 for 75ml
CB - Blush (200ml)

$16.00 for 200ml
CB - Blush (75ml)

$8.00 for 75ml
CB - Bright Orange (200ml)

$16.00 for 200ml
CB - Bright Orange (75ml)

$8.00 for 75ml
CB - Bright Yellow (200ml)

$16.00 for 200ml
CB - Bright Yellow (75ml)

$8.00 for 75ml
CB - Burgundy (200ml)

$28 for 200ml
CB - Burgundy (75ml)

$14 for 75ml
CB - Caramel (200ml)

$16.00 for 200ml
CB - Caramel (75ml)

$8.00 for 75ml
CB - Charteusse (200ml)

$16.00 for 200ml
CB - Charteusse (75ml)

$8.00 for 75ml
CB - Chestnut (200ml)

$16.00 for 200ml
CB - Chestnut (75ml)

$8.00 for 75ml
CB - Chun Blue (200ml)

$16.00 for 200ml
CB - Chun Blue (75ml)

$8.00 for 75ml
CB - Cobalt Black (200ml)

$16.00 for 200ml
CB - Cobalt Black (75ml)

$8.00 for 75ml
CB - Coral

$16.00 for 200ml
CB - Coral (75ml)

$8.00 for 75ml
CB - Dark Blue (200ml)

$16.00 for 200ml
CB - Dark Blue (75ml)

$8.00 for 75ml
CB - Dark Green (200ml)

$16.00 for 200ml
CB - Dark Green (75ml)

$8.00 for 75ml
CB - Dusky Pink (200ml)

$16.00 for 200ml
CB - Dusky Pink (75ml)

$8.00 for 75ml
CB - Dusty Red (200ml)

$16.00 for 200ml
CB - Dusty Red (75ml)

$8.00 for 75ml
CB - Electric Blue (200ml)

$16.00 for 200ml
CB - Electric Blue (75ml)

$8.00 for 75ml
CB - Golden Wheat (200ml)

$16.00 for 200ml
CB - Golden Wheat (75ml)

$8.00 for 75ml
CB - Golden Yellow (200ml)

$16.00 for 200ml
CB - Golden Yellow (75ml)

$8.00 for 75ml
CB - Grape (200ml)

$16.00 for 200ml
CB - Grape (75ml)

$8.00 for 75ml
CB - Grass Green (200ml)

$16.00 for 200ml
CB - Grass Green (75ml)

$8.00 for 75ml
CB - Greek Blue (200ml)

$16.00 for 200ml
CB - Greek Blue (75ml)

$8.00 for 75ml
CB - Gun Metal Grey (200ml)

$16.00 for 200ml
CB - Gun Metal Grey (75ml)

$8.00 for 75ml
CB - Irish Green (200ml)

$16.00 for 200ml
CB - Irish Green (75ml)

$8.00 for 75ml
CB - Jade (200ml)

$16.00 for 200ml
CB - Jade (75ml)

$8.00 for 75ml
CB - Kiwi Green (200ml)

$16.00 for 200ml
CB - Kiwi Green (75ml)

$8.00 for 75ml
CB - Lilac (200ml)

$16.00 for 200ml
CB - Lilac (75ml)

$8.00 - Nil Stock - for 75ml
CB - Lime Green (200ml)

$16.00 for 200ml
CB - Lime Green (75ml)

$8.00 for 75ml
CB - Mauve (200ml)

$16.00 for 200ml
CB - Mauve (75ml)

$8.00 for 75ml
CB - Mocha (200ml)

$16.00 for 200ml
CB - Mocha (75ml)

$8.00 for 75ml
CB - Purple (200ml)

$16.00 for 200ml
CB - Purple (75ml)

$8.00 for 75ml
CB - Red Brown (200ml)

$16.00 for 200ml
CB - Red Brown (75ml)

$8.00 for 75ml
CB - Skye Blue (200ml)

$16.00 for 200ml
CB - Skye Blue (75ml)

$8.00 for 75ml
CB - Soft Pink (200ml)

$16.00 for 200ml
CB - Soft Pink (75ml)

$8.00 for 75ml
CB - Tangerine (200ml)

$16.00 for 200ml
CB - Tangerine (75ml)

$8.00 for 75ml
CB - Teal (200ml)

$16.00 for 200ml
CB - Teal (75ml)

$8.00 for 75ml
CB - Tomato Red (200ml)

$28.00 for 200ml
CB - Tomato Red (75ml)

$14.00 for 75ml
CB - Ultra Red (200ml)

$28.00 for 200ml
CB - Ultra Red (75ml)

$14.00 for 75ml
CB - White (200ml)

$16.00 for 200ml
CB - White (75ml)

$8.00 for 75ml
Celadon

$35.00 for 2kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.

Mixing and firing suggestions are supplied with each pack.

Abbots Cone 6 Glazes

1.2litres of water per Kg of dry glaze is a useful starting point for mixing

Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 30 mins
(5) 80c per hour down to 1050c
(6) End
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Charcoal

$30.00 for 2kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.

Mixing and firing suggestions are supplied with each pack.

Abbots Cone 6 Glazes

1.2litres of water per Kg of dry glaze is a useful starting point for mixing

Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 30 mins
(5) 80c per hour down to 1050c
(6) End
Read about this product
Chocolate

$30.00 for 2 kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.

Mixing and firing suggestions are supplied with each pack.

Abbots Cone 6 Glazes

1.2litres of water per Kg of dry glaze is a useful starting point for mixing

Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 30 mins
(5) 80c per hour down to 1050c
(6) End
Read about this product
Chrome Green Stain MD401 - Cr-Al 1250C

$14.00 for 100g
Chun Blue

$35.00 for 2kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.

Mixing and firing suggestions are supplied with each pack.

Abbots Cone 6 Glazes

1.2litres of water per Kg of dry glaze is a useful starting point for mixing

Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 30 mins
(5) 80c per hour down to 1050c
(6) End
Read about this product
Cobalt

$12.50 for 100ml
Cobalt

$52.00 for 500ml
Cobalt Blue

$46.00 for 2kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.

Mixing and firing suggestions are supplied with each pack.

Abbots Cone 6 Glazes

1.2litres of water per Kg of dry glaze is a useful starting point for mixing

Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 30 mins
(5) 80c per hour down to 1050c
(6) End
Read about this product
Cobalt Blue Stain MD521 - Co-Si 1350C

$41.50 for 100g
Coral Brown

$69.00 for 500ml
Coral Brown

$16.50 for 100ml
Dark Green

$14.50 for 100ml
Dark Green

$60.00 for 500ml
ddd??/

$??/ for 111
Deep Glossy Red

$58.00 for 2kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.
Mixing and firing suggestions are supplied with each pack.
Abbots Cone 6 Glazes
1.2litres of water per Kg of dry glaze is a useful starting point for mixing
Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 30 mins
(5) 80c per hour down to 1050c
(6) End
Read about this product
Denim

$40.00 for 2kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.

Mixing and firing suggestions are supplied with each pack.

Abbots Cone 6 Glazes

1.2litres of water per Kg of dry glaze is a useful starting point for mixing

Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 30 mins
(5) 80c per hour down to 1050c
(6) End
Read about this product
Dune

$30.00 for 2kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.

Mixing and firing suggestions are supplied with each pack.

Abbots Cone 6 Glazes

1.2litres of water per Kg of dry glaze is a useful starting point for mixing

Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 30 mins
(5) 80c per hour down to 1050c
(6) End
Read about this product
Enamel White Glass GRAIN

$8.50 for 100g

Blowing or Casing Glass Colour Properties
These colours are constructed around 8 different base glasses, but the majority fit into three broad families.
Transparents:
We use a 28% lead oxide crystal matrix for all but the reds and yellows and photosensitive glass.
This base is easy to remelt, not prone to devitrification and gives particularly dense and brilliant colouration. Lead glasses are about 15% more elastic than common soda lime glasses, allowing for a greater expansion mismatch.
The reds and yellows, #’s 70-77 series, are lead free, containing either CdS.xSe or Cu2O. Based on a Soda Zinc matrix, they are colloidal colours and work best with soda lime clears with a close expansion match around 96 x 10-7 coefficient. See Gaffer Batch Not as elastic as the lead based colours. To avoid over striking, and consequently inducing opacity, try to work cold, with as few reheats as practicable.
Opals:
With the exception of #100 Enamel White and the Gold colours #’s 110 – 114, all of the colours are generated from the same lead free base. This makes our opal range unique, allowing colours to be combined with identical viscosity characteristics. The colours are dense, with overlays easily able to block out each other. This range has a relatively high softening point. We recommend a soak temperature of around 600oC (1110oF) before transferring rod to be heated in the glory hole, otherwise internal cracking (which you may not hear) will create small bubbles.
Chip and Powder:
Powder comes in two forms: Talc and Grain powder
Chip sizes are as follows:
KO 0.25 – 0.5mm, K1 0.5 – 2.0mm, K2 2.0 - 4.0mm K3 4.0 – 8.0mm.
Sizing is approximate, representing 95% of a sampling.
#’s 070, 071, & 072 are not offered in either talc or grain powder.
Rods: The rods vary in diameter between 30-32mm (11/4in).
The length is up to 400mm (16 in)
Density:
Glass blowers think weight rather than volume when they buy glass. Note from the photograph how all three rods are of equal length and diameter but weigh different amounts. Soda zinc and opal glasses are approximately 2.5g/cc, 28% lead glasses are approx. 3.0g/cc and Enamel White #100 is 3.7g/cc. Contrary to our competitors, most of our opal colours yield 20% more volume per weight owing to the fact they are lead free.
Read about this product
Enamel White Glass POWDER

$8.50 for 100g

Blowing or Casing Glass Colour Properties
These colours are constructed around 8 different base glasses, but the majority fit into three broad families.
Transparents:
We use a 28% lead oxide crystal matrix for all but the reds and yellows and photosensitive glass.
This base is easy to remelt, not prone to devitrification and gives particularly dense and brilliant colouration. Lead glasses are about 15% more elastic than common soda lime glasses, allowing for a greater expansion mismatch.
The reds and yellows, #’s 70-77 series, are lead free, containing either CdS.xSe or Cu2O. Based on a Soda Zinc matrix, they are colloidal colours and work best with soda lime clears with a close expansion match around 96 x 10-7 coefficient. See Gaffer Batch Not as elastic as the lead based colours. To avoid over striking, and consequently inducing opacity, try to work cold, with as few reheats as practicable.
Opals:
With the exception of #100 Enamel White and the Gold colours #’s 110 – 114, all of the colours are generated from the same lead free base. This makes our opal range unique, allowing colours to be combined with identical viscosity characteristics. The colours are dense, with overlays easily able to block out each other. This range has a relatively high softening point. We recommend a soak temperature of around 600oC (1110oF) before transferring rod to be heated in the glory hole, otherwise internal cracking (which you may not hear) will create small bubbles.
Chip and Powder:
Powder comes in two forms: Talc and Grain powder
Chip sizes are as follows:
KO 0.25 – 0.5mm, K1 0.5 – 2.0mm, K2 2.0 - 4.0mm K3 4.0 – 8.0mm.
Sizing is approximate, representing 95% of a sampling.
#’s 070, 071, & 072 are not offered in either talc or grain powder.
Rods: The rods vary in diameter between 30-32mm (11/4in).
The length is up to 400mm (16 in)
Density:
Glass blowers think weight rather than volume when they buy glass. Note from the photograph how all three rods are of equal length and diameter but weigh different amounts. Soda zinc and opal glasses are approximately 2.5g/cc, 28% lead glasses are approx. 3.0g/cc and Enamel White #100 is 3.7g/cc. Contrary to our competitors, most of our opal colours yield 20% more volume per weight owing to the fact they are lead free.
Read about this product
Fake Ash Glaze

$35.00 for 2kg
Flamingo

$35.00 for 2kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.

Mixing and firing suggestions are supplied with each pack.

Abbots Cone 6 Glazes

1.2litres of water per Kg of dry glaze is a useful starting point for mixing

Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 30 mins
(5) 80c per hour down to 1050c
(6) End
Read about this product
Floating Green

$35.00 for 2kg
Forest Green Glass GRAIN

$8.50 for 100g

Glass Grain - Forest Green
BGO134-G

Blowing or Casing Glass Colour Properties
These colours are constructed around 8 different base glasses, but the majority fit into three broad families.

Transparents:
We use a 28% lead oxide crystal matrix for all but the reds and yellows and photosensitive glass.
This base is easy to remelt, not prone to devitrification and gives particularly dense and brilliant colouration. Lead glasses are about 15% more elastic than common soda lime glasses, allowing for a greater expansion mismatch.

The reds and yellows, #’s 70-77 series, are lead free, containing either CdS.xSe or Cu2O. Based on a Soda Zinc matrix, they are colloidal colours and work best with soda lime clears with a close expansion match around 96 x 10-7 coefficient. See Gaffer Batch Not as elastic as the lead based colours. To avoid over striking, and consequently inducing opacity, try to work cold, with as few reheats as practicable.

Opals:
With the exception of #100 Enamel White and the Gold colours #’s 110 – 114, all of the colours are generated from the same lead free base. This makes our opal range unique, allowing colours to be combined with identical viscosity characteristics. The colours are dense, with overlays easily able to block out each other. This range has a relatively high softening point. We recommend a soak temperature of around 600oC (1110oF) before transferring rod to be heated in the glory hole, otherwise internal cracking (which you may not hear) will create small bubbles.

Chip and Powder:
Powder comes in two forms: Talc and Grain powder
Chip sizes are as follows:
KO 0.25 – 0.5mm, K1 0.5 – 2.0mm, K2 2.0 - 4.0mm K3 4.0 – 8.0mm.
Sizing is approximate, representing 95% of a sampling.
#’s 070, 071, & 072 are not offered in either talc or grain powder.

Rods: The rods vary in diameter between 30-32mm (11/4in).
The length is up to 400mm (16 in)

Density:
Glass blowers think weight rather than volume when they buy glass. Note from the photograph how all three rods are of equal length and diameter but weigh different amounts. Soda zinc and opal glasses are approximately 2.5g/cc, 28% lead glasses are approx. 3.0g/cc and Enamel White #100 is 3.7g/cc. Contrary to our competitors, most of our opal colours yield 20% more volume per weight owing to the fact they are lead free.

Read about this product
Forest Green Glass POWDER

$8.50 for 100g

Blowing or Casing Glass Colour Properties
These colours are constructed around 8 different base glasses, but the majority fit into three broad families.
Transparents:
We use a 28% lead oxide crystal matrix for all but the reds and yellows and photosensitive glass.
This base is easy to remelt, not prone to devitrification and gives particularly dense and brilliant colouration. Lead glasses are about 15% more elastic than common soda lime glasses, allowing for a greater expansion mismatch.
The reds and yellows, #’s 70-77 series, are lead free, containing either CdS.xSe or Cu2O. Based on a Soda Zinc matrix, they are colloidal colours and work best with soda lime clears with a close expansion match around 96 x 10-7 coefficient. See Gaffer Batch Not as elastic as the lead based colours. To avoid over striking, and consequently inducing opacity, try to work cold, with as few reheats as practicable.
Opals:
With the exception of #100 Enamel White and the Gold colours #’s 110 – 114, all of the colours are generated from the same lead free base. This makes our opal range unique, allowing colours to be combined with identical viscosity characteristics. The colours are dense, with overlays easily able to block out each other. This range has a relatively high softening point. We recommend a soak temperature of around 600oC (1110oF) before transferring rod to be heated in the glory hole, otherwise internal cracking (which you may not hear) will create small bubbles.
Chip and Powder:
Powder comes in two forms: Talc and Grain powder
Chip sizes are as follows:
KO 0.25 – 0.5mm, K1 0.5 – 2.0mm, K2 2.0 - 4.0mm K3 4.0 – 8.0mm.
Sizing is approximate, representing 95% of a sampling.
#’s 070, 071, & 072 are not offered in either talc or grain powder.
Rods: The rods vary in diameter between 30-32mm (11/4in).
The length is up to 400mm (16 in)
Density:
Glass blowers think weight rather than volume when they buy glass. Note from the photograph how all three rods are of equal length and diameter but weigh different amounts. Soda zinc and opal glasses are approximately 2.5g/cc, 28% lead glasses are approx. 3.0g/cc and Enamel White #100 is 3.7g/cc. Contrary to our competitors, most of our opal colours yield 20% more volume per weight owing to the fact they are lead free.
Read about this product
Glossy White

$35.00 for 2kg

Now formulated and blended in New Zealand.

This glaze performs well over a range of bodies.

Recommended firing range 1100C to 1250C
Read about this product
Glossy Yellow

$30.00 for 2kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.

Mixing and firing suggestions are supplied with each pack.

Abbots Cone 6 Glazes

1.2litres of water per Kg of dry glaze is a useful starting point for mixing

Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 1 hour
(5) 80c per hour down to 1050c
(6) End
Read about this product
Granny Smith

$30.00 for 2kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.

Mixing and firing suggestions are supplied with each pack.

Abbots Cone 6 Glazes

1.2litres of water per Kg of dry glaze is a useful starting point for mixing

Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 30 mins
(5) 80c per hour down to 1050c
(6) End
Read about this product
Granny Smith Green Glass GRAIN

$8.50 for 100g

Glass Grain - Granny Smith Green
BGO132-G

Blowing or Casing Glass Colour Properties
These colours are constructed around 8 different base glasses, but the majority fit into three broad families.

Transparents:
We use a 28% lead oxide crystal matrix for all but the reds and yellows and photosensitive glass.
This base is easy to remelt, not prone to devitrification and gives particularly dense and brilliant colouration. Lead glasses are about 15% more elastic than common soda lime glasses, allowing for a greater expansion mismatch.

The reds and yellows, #’s 70-77 series, are lead free, containing either CdS.xSe or Cu2O. Based on a Soda Zinc matrix, they are colloidal colours and work best with soda lime clears with a close expansion match around 96 x 10-7 coefficient. See Gaffer Batch Not as elastic as the lead based colours. To avoid over striking, and consequently inducing opacity, try to work cold, with as few reheats as practicable.

Opals:
With the exception of #100 Enamel White and the Gold colours #’s 110 – 114, all of the colours are generated from the same lead free base. This makes our opal range unique, allowing colours to be combined with identical viscosity characteristics. The colours are dense, with overlays easily able to block out each other. This range has a relatively high softening point. We recommend a soak temperature of around 600oC (1110oF) before transferring rod to be heated in the glory hole, otherwise internal cracking (which you may not hear) will create small bubbles.

Chip and Powder:
Powder comes in two forms: Talc and Grain powder
Chip sizes are as follows:
KO 0.25 – 0.5mm, K1 0.5 – 2.0mm, K2 2.0 - 4.0mm K3 4.0 – 8.0mm.
Sizing is approximate, representing 95% of a sampling.
#’s 070, 071, & 072 are not offered in either talc or grain powder.

Rods: The rods vary in diameter between 30-32mm (11/4in).
The length is up to 400mm (16 in)

Density:
Glass blowers think weight rather than volume when they buy glass. Note from the photograph how all three rods are of equal length and diameter but weigh different amounts. Soda zinc and opal glasses are approximately 2.5g/cc, 28% lead glasses are approx. 3.0g/cc and Enamel White #100 is 3.7g/cc. Contrary to our competitors, most of our opal colours yield 20% more volume per weight owing to the fact they are lead free.

Read about this product
Granny Smith Green Glass POWDER

$8.50 for 100g

Blowing or Casing Glass Colour Properties
These colours are constructed around 8 different base glasses, but the majority fit into three broad families.
Transparents:
We use a 28% lead oxide crystal matrix for all but the reds and yellows and photosensitive glass.
This base is easy to remelt, not prone to devitrification and gives particularly dense and brilliant colouration. Lead glasses are about 15% more elastic than common soda lime glasses, allowing for a greater expansion mismatch.
The reds and yellows, #’s 70-77 series, are lead free, containing either CdS.xSe or Cu2O. Based on a Soda Zinc matrix, they are colloidal colours and work best with soda lime clears with a close expansion match around 96 x 10-7 coefficient. See Gaffer Batch Not as elastic as the lead based colours. To avoid over striking, and consequently inducing opacity, try to work cold, with as few reheats as practicable.
Opals:
With the exception of #100 Enamel White and the Gold colours #’s 110 – 114, all of the colours are generated from the same lead free base. This makes our opal range unique, allowing colours to be combined with identical viscosity characteristics. The colours are dense, with overlays easily able to block out each other. This range has a relatively high softening point. We recommend a soak temperature of around 600oC (1110oF) before transferring rod to be heated in the glory hole, otherwise internal cracking (which you may not hear) will create small bubbles.
Chip and Powder:
Powder comes in two forms: Talc and Grain powder
Chip sizes are as follows:
KO 0.25 – 0.5mm, K1 0.5 – 2.0mm, K2 2.0 - 4.0mm K3 4.0 – 8.0mm.
Sizing is approximate, representing 95% of a sampling.
#’s 070, 071, & 072 are not offered in either talc or grain powder.
Rods: The rods vary in diameter between 30-32mm (11/4in).
The length is up to 400mm (16 in)
Density:
Glass blowers think weight rather than volume when they buy glass. Note from the photograph how all three rods are of equal length and diameter but weigh different amounts. Soda zinc and opal glasses are approximately 2.5g/cc, 28% lead glasses are approx. 3.0g/cc and Enamel White #100 is 3.7g/cc. Contrary to our competitors, most of our opal colours yield 20% more volume per weight owing to the fact they are lead free.
Read about this product
Green Grass Enamel Liquid

$35.00 for 50ml
Green Grass Enamel Powder

$15.00 for 25g
Green Olive Enamel Liquid

$??? for 50ml
Green Olive Enamel Powder

$15.00 for 25g
Green Peacock Enamel Liquid

$??? for 50ml
Green Peacock Enamel Powder

$15.00 for 25g
Grey

$??? for 50ml
Harvest Gold

$14.00 for 100ml
Harvest Gold

$60.00 for 500ml
Hay Stack

$35.00 for 2kg
Hokey Pokey

$35.00 for 2kg
Hot Orange

$46.00 for 2kg
Iron Break

$46.00 for 2kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.

Mixing and firing suggestions are supplied with each pack.

Abbots Cone 6 Glazes

1.2litres of water per Kg of dry glaze is a useful starting point for mixing

Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 30 mins
(5) 80c per hour down to 1050c
(6) End
Read about this product
Jade

$35.00 for 2kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.

Mixing and firing suggestions are supplied with each pack.

Abbots Cone 6 Glazes

1.2litres of water per Kg of dry glaze is a useful starting point for mixing

Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 30 mins
(5) 80c per hour down to 1050c
(6) End
Read about this product
Jade Green Glass GRAIN

$8.50 for 100g

Glass Grain - Jade Green
BGO130-G
Read about this product
Jade Green Glass POWDER

$8.50 for 100g

Blowing or Casing Glass Colour Properties
These colours are constructed around 8 different base glasses, but the majority fit into three broad families.
Transparents:
We use a 28% lead oxide crystal matrix for all but the reds and yellows and photosensitive glass.
This base is easy to remelt, not prone to devitrification and gives particularly dense and brilliant colouration. Lead glasses are about 15% more elastic than common soda lime glasses, allowing for a greater expansion mismatch.
The reds and yellows, #’s 70-77 series, are lead free, containing either CdS.xSe or Cu2O. Based on a Soda Zinc matrix, they are colloidal colours and work best with soda lime clears with a close expansion match around 96 x 10-7 coefficient. See Gaffer Batch Not as elastic as the lead based colours. To avoid over striking, and consequently inducing opacity, try to work cold, with as few reheats as practicable.
Opals:
With the exception of #100 Enamel White and the Gold colours #’s 110 – 114, all of the colours are generated from the same lead free base. This makes our opal range unique, allowing colours to be combined with identical viscosity characteristics. The colours are dense, with overlays easily able to block out each other. This range has a relatively high softening point. We recommend a soak temperature of around 600oC (1110oF) before transferring rod to be heated in the glory hole, otherwise internal cracking (which you may not hear) will create small bubbles.
Chip and Powder:
Powder comes in two forms: Talc and Grain powder
Chip sizes are as follows:
KO 0.25 – 0.5mm, K1 0.5 – 2.0mm, K2 2.0 - 4.0mm K3 4.0 – 8.0mm.
Sizing is approximate, representing 95% of a sampling.
#’s 070, 071, & 072 are not offered in either talc or grain powder.
Rods: The rods vary in diameter between 30-32mm (11/4in).
The length is up to 400mm (16 in)
Density:
Glass blowers think weight rather than volume when they buy glass. Note from the photograph how all three rods are of equal length and diameter but weigh different amounts. Soda zinc and opal glasses are approximately 2.5g/cc, 28% lead glasses are approx. 3.0g/cc and Enamel White #100 is 3.7g/cc. Contrary to our competitors, most of our opal colours yield 20% more volume per weight owing to the fact they are lead free.
Read about this product
Josephine Water Medium

$25.00 for 50ml

50/50 dilution ready for mixing with dry enamel powder
Read about this product
Kahki

$25.00 for 2kg
Kharki Enamel Liquid

$??? for 50ml
Kharki Enamel Powder

$15.00 for 25g
Laguna - #16 Transparent Dry Glaze - Cone 5 to 10

$25.00 for 2kgs

This is a good, all-purpose clear gloss glaze which fires from Cone 5 to 10. It works well with oxide colorants, and a light to medium application is recommended.
Read about this product
Laguna - Blue Brown Dry Glaze (Opaque) - Cone 10

$25.00 for 2kgs Bag

An opaque, glossy glaze that is a rich blue in areas where the glaze is thicker and brown where it breaks and becomes thinner. For best results Blue Brown should be fired in medium reduction. In oxidation firing it becomes milky yellow.
Read about this product
Laguna - Bright Black/Brown Dry Glaze (Opaque) - Cone 10

$25.00 for 2kgs Bag

An opaque, glossy glaze with a smooth surface that reveals a broken brown/black pattern. Reacts well with light colored glazes, splashed or poured over. Black if double dipped or when thick. Fluid
Read about this product
Laguna - Chun Dry Glaze (Opaque) - Cone 10

$45.00 for 2kgs Bag

Chun is a semi-opaque, gloss glaze which is transparent when applied thin. It reacts well with iron, copper and cobalt. Chun has traditionally been used for glazing porcelain and works well in light to medium reduction firing.
Read about this product
Laguna - Copper Red Dry Glaze (Semi‑Opaque) - Cone 10

$50.00 for 2kgs bag

Start reducing at Cone 06, and you’ll love the wonderful copper red look of this glaze. Over reduction can lessen or even eliminate the desired results, so experiment first!
This photo doesn’t do the glaze justice - It is much better than shown!!!!!
Read about this product
Laguna - Flambe Blue Dry Glaze (Semi‑Opaque) - Cone 10

$75.00 for 2kgs Bag

A smooth translucent glaze that is a strong blue when oxidized and a deep blue/maroon when heavily reduced.
Read about this product
Laguna - KCNST Plum Dry Glaze (Opaque) - Cone 10

$25.00 for 2kgs Bag

An opaque, plum glaze that reacts well with lighter color glazes poured or dipped over. Consistent, semi-fluid, and accepts a strong reduction.
Read about this product
Laguna - Purple Surprise Dry Glaze (Opaque) - Cone 10

$80.00 for 2kgs Bag

A deep cobalt blue with floating pink blooms. Similar effect whether fired in oxidation or reduction.
Read about this product
Laguna - Sun Valley Dry Glaze (Transparent) - Cone 10

$25.00 for 2kgs Bag

A rich rutile blue with caramel highlights. It likes to be fired hot in reduction, but turns to a translucent khaki when fired in oxidation.
Read about this product
Lava Red

$22.00 for 100ml
Lava Red

$88.00 for 50ml
Lime

$60.00 for 500ml
Lime

$14.50 for 100ml
Malt

$35.00 for 2kg
Mandarin

$35.00 for 2kg
Mandarin Stain N60104 - Zr-Si-Cd-Se 1200C

$28.50 for 100g
Matte Nickle Crackle

$30.00 for 2kg
Matte Turquoise

$30.00 for 2kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.

Mixing and firing suggestions are supplied with each pack.

Abbots Cone 6 Glazes

1.2litres of water per Kg of dry glaze is a useful starting point for mixing

Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 30 mins
(5) 80c per hour down to 1050c
(6) End
Read about this product
Matte Violet

$35.00 for 2kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.

Mixing and firing suggestions are supplied with each pack.

Abbots Cone 6 Glazes

1.2litres of water per Kg of dry glaze is a useful starting point for mixing

Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 30 mins
(5) 80c per hour down to 1050c
(6) End
Read about this product
Matte White

$30.00 for 2kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.

Mixing and firing suggestions are supplied with each pack.

Abbots Cone 6 Glazes

1.2litres of water per Kg of dry glaze is a useful starting point for mixing

Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 30 mins
(5) 80c per hour down to 1050c
(6) End
Read about this product
Matte Yellow

$30.00 for 2kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.

Mixing and firing suggestions are supplied with each pack.

Abbots Cone 6 Glazes

1.2litres of water per Kg of dry glaze is a useful starting point for mixing

Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 30 mins
(5) 80c per hour down to 1050c
(6) End
Read about this product
Mint Green

$14.50 for 100ml
Mint Green

$60.00 for 500ml
Mirror Black

$35.00 for 2kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.

Mixing and firing suggestions are supplied with each pack.

Abbots Cone 6 Glazes

1.2litres of water per Kg of dry glaze is a useful starting point for mixing

Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 30 mins
(5) 80c per hour down to 1050c
(6) End
Read about this product
Moss Green

$35.00 for 2kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.

Mixing and firing suggestions are supplied with each pack.

Abbots Cone 6 Glazes

1.2litres of water per Kg of dry glaze is a useful starting point for mixing

Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 30 mins
(5) 80c per hour down to 1050c
(6) End
Read about this product
Nickle Crackle

$35.00 for 2kg
Olive Crackle

$35.00 for 2kg
Orange

$80.00 for 500ml
Orange

$19.00 for 100ml
Orange Dark Enamel Liquid

$35.00 for 50ml
Orange Dark Enamel Powder

$15.00 for 25g
Orange Glass GRAIN

$8.50 for 100g

Glass Grain - Orange
BGO182-G

Blowing or Casing Glass Colour Properties
These colours are constructed around 8 different base glasses, but the majority fit into three broad families.

Transparents:
We use a 28% lead oxide crystal matrix for all but the reds and yellows and photosensitive glass.
This base is easy to remelt, not prone to devitrification and gives particularly dense and brilliant colouration. Lead glasses are about 15% more elastic than common soda lime glasses, allowing for a greater expansion mismatch.

The reds and yellows, #’s 70-77 series, are lead free, containing either CdS.xSe or Cu2O. Based on a Soda Zinc matrix, they are colloidal colours and work best with soda lime clears with a close expansion match around 96 x 10-7 coefficient. See Gaffer Batch Not as elastic as the lead based colours. To avoid over striking, and consequently inducing opacity, try to work cold, with as few reheats as practicable.

Opals:
With the exception of #100 Enamel White and the Gold colours #’s 110 – 114, all of the colours are generated from the same lead free base. This makes our opal range unique, allowing colours to be combined with identical viscosity characteristics. The colours are dense, with overlays easily able to block out each other. This range has a relatively high softening point. We recommend a soak temperature of around 600oC (1110oF) before transferring rod to be heated in the glory hole, otherwise internal cracking (which you may not hear) will create small bubbles.

Chip and Powder:
Powder comes in two forms: Talc and Grain powder
Chip sizes are as follows:
KO 0.25 – 0.5mm, K1 0.5 – 2.0mm, K2 2.0 - 4.0mm K3 4.0 – 8.0mm.
Sizing is approximate, representing 95% of a sampling.
#’s 070, 071, & 072 are not offered in either talc or grain powder.

Rods: The rods vary in diameter between 30-32mm (11/4in).
The length is up to 400mm (16 in)

Density:
Glass blowers think weight rather than volume when they buy glass. Note from the photograph how all three rods are of equal length and diameter but weigh different amounts. Soda zinc and opal glasses are approximately 2.5g/cc, 28% lead glasses are approx. 3.0g/cc and Enamel White #100 is 3.7g/cc. Contrary to our competitors, most of our opal colours yield 20% more volume per weight owing to the fact they are lead free.

Read about this product
Orange Glass POWDER

$8.50 for 100g

Blowing or Casing Glass Colour Properties
These colours are constructed around 8 different base glasses, but the majority fit into three broad families.
Transparents:
We use a 28% lead oxide crystal matrix for all but the reds and yellows and photosensitive glass.
This base is easy to remelt, not prone to devitrification and gives particularly dense and brilliant colouration. Lead glasses are about 15% more elastic than common soda lime glasses, allowing for a greater expansion mismatch.
The reds and yellows, #’s 70-77 series, are lead free, containing either CdS.xSe or Cu2O. Based on a Soda Zinc matrix, they are colloidal colours and work best with soda lime clears with a close expansion match around 96 x 10-7 coefficient. See Gaffer Batch Not as elastic as the lead based colours. To avoid over striking, and consequently inducing opacity, try to work cold, with as few reheats as practicable.
Opals:
With the exception of #100 Enamel White and the Gold colours #’s 110 – 114, all of the colours are generated from the same lead free base. This makes our opal range unique, allowing colours to be combined with identical viscosity characteristics. The colours are dense, with overlays easily able to block out each other. This range has a relatively high softening point. We recommend a soak temperature of around 600oC (1110oF) before transferring rod to be heated in the glory hole, otherwise internal cracking (which you may not hear) will create small bubbles.
Chip and Powder:
Powder comes in two forms: Talc and Grain powder
Chip sizes are as follows:
KO 0.25 – 0.5mm, K1 0.5 – 2.0mm, K2 2.0 - 4.0mm K3 4.0 – 8.0mm.
Sizing is approximate, representing 95% of a sampling.
#’s 070, 071, & 072 are not offered in either talc or grain powder.
Rods: The rods vary in diameter between 30-32mm (11/4in).
The length is up to 400mm (16 in)
Density:
Glass blowers think weight rather than volume when they buy glass. Note from the photograph how all three rods are of equal length and diameter but weigh different amounts. Soda zinc and opal glasses are approximately 2.5g/cc, 28% lead glasses are approx. 3.0g/cc and Enamel White #100 is 3.7g/cc. Contrary to our competitors, most of our opal colours yield 20% more volume per weight owing to the fact they are lead free.
Read about this product
Orange Light Enamel Liquid

$??? for 50ml
Orange Light Enamel Powder

$15.00 for 25g
Orange Mandarin Enamel Liquid

$??? for 50ml
Orange Mandarin Enamel Powder

$15.00 for 25g
Orange Stain B5001 - Zr-SiO4-Cd 1250C

$35.00 for 100g
Pollen

$35.00 for 2kg
Porcelain Clear

$35.00 for 2kg
Powder Blue

$60.00 for 500ml
Powder Blue

$14.50 for 100ml
Purple

$95.00 for 500ml
Purple

$22.50 for 100ml
Purple Haze

$52.00 for 2kg
Purpur Glass GRAIN

$8.50 for 100g

Glass Grain - Purpur
BGO114-G

Blowing or Casing Glass Colour Properties
These colours are constructed around 8 different base glasses, but the majority fit into three broad families.

Transparents:
We use a 28% lead oxide crystal matrix for all but the reds and yellows and photosensitive glass.
This base is easy to remelt, not prone to devitrification and gives particularly dense and brilliant colouration. Lead glasses are about 15% more elastic than common soda lime glasses, allowing for a greater expansion mismatch.

The reds and yellows, #’s 70-77 series, are lead free, containing either CdS.xSe or Cu2O. Based on a Soda Zinc matrix, they are colloidal colours and work best with soda lime clears with a close expansion match around 96 x 10-7 coefficient. See Gaffer Batch Not as elastic as the lead based colours. To avoid over striking, and consequently inducing opacity, try to work cold, with as few reheats as practicable.

Opals:
With the exception of #100 Enamel White and the Gold colours #’s 110 – 114, all of the colours are generated from the same lead free base. This makes our opal range unique, allowing colours to be combined with identical viscosity characteristics. The colours are dense, with overlays easily able to block out each other. This range has a relatively high softening point. We recommend a soak temperature of around 600oC (1110oF) before transferring rod to be heated in the glory hole, otherwise internal cracking (which you may not hear) will create small bubbles.

Chip and Powder:
Powder comes in two forms: Talc and Grain powder
Chip sizes are as follows:
KO 0.25 – 0.5mm, K1 0.5 – 2.0mm, K2 2.0 - 4.0mm K3 4.0 – 8.0mm.
Sizing is approximate, representing 95% of a sampling.
#’s 070, 071, & 072 are not offered in either talc or grain powder.

Rods: The rods vary in diameter between 30-32mm (11/4in).
The length is up to 400mm (16 in)

Density:
Glass blowers think weight rather than volume when they buy glass. Note from the photograph how all three rods are of equal length and diameter but weigh different amounts. Soda zinc and opal glasses are approximately 2.5g/cc, 28% lead glasses are approx. 3.0g/cc and Enamel White #100 is 3.7g/cc. Contrary to our competitors, most of our opal colours yield 20% more volume per weight owing to the fact they are lead free.

Read about this product
Purpur Glass POWDER

$8.50 for 100

Blowing or Casing Glass Colour Properties
These colours are constructed around 8 different base glasses, but the majority fit into three broad families.
Transparents:
We use a 28% lead oxide crystal matrix for all but the reds and yellows and photosensitive glass.
This base is easy to remelt, not prone to devitrification and gives particularly dense and brilliant colouration. Lead glasses are about 15% more elastic than common soda lime glasses, allowing for a greater expansion mismatch.
The reds and yellows, #’s 70-77 series, are lead free, containing either CdS.xSe or Cu2O. Based on a Soda Zinc matrix, they are colloidal colours and work best with soda lime clears with a close expansion match around 96 x 10-7 coefficient. See Gaffer Batch Not as elastic as the lead based colours. To avoid over striking, and consequently inducing opacity, try to work cold, with as few reheats as practicable.
Opals:
With the exception of #100 Enamel White and the Gold colours #’s 110 – 114, all of the colours are generated from the same lead free base. This makes our opal range unique, allowing colours to be combined with identical viscosity characteristics. The colours are dense, with overlays easily able to block out each other. This range has a relatively high softening point. We recommend a soak temperature of around 600oC (1110oF) before transferring rod to be heated in the glory hole, otherwise internal cracking (which you may not hear) will create small bubbles.
Chip and Powder:
Powder comes in two forms: Talc and Grain powder
Chip sizes are as follows:
KO 0.25 – 0.5mm, K1 0.5 – 2.0mm, K2 2.0 - 4.0mm K3 4.0 – 8.0mm.
Sizing is approximate, representing 95% of a sampling.
#’s 070, 071, & 072 are not offered in either talc or grain powder.
Rods: The rods vary in diameter between 30-32mm (11/4in).
The length is up to 400mm (16 in)
Density:
Glass blowers think weight rather than volume when they buy glass. Note from the photograph how all three rods are of equal length and diameter but weigh different amounts. Soda zinc and opal glasses are approximately 2.5g/cc, 28% lead glasses are approx. 3.0g/cc and Enamel White #100 is 3.7g/cc. Contrary to our competitors, most of our opal colours yield 20% more volume per weight owing to the fact they are lead free.
Read about this product
Reactive Black

$35.00 for 2kg
Red Blood Enamel Liquid

$??? for 50ml
Red Blood Enamel Powder

$15.00 for 25g
Red Bright Enamel Liquid

$??? for 50ml
Red Bright Enamel Powder

$15.00 for 25g
Red Huntsman Enamel Liquid

$35.00 for 50ml
Red Huntsman Enamel Powder

$15.00 for 25g
Reef

$35.00 for 2kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.

Mixing and firing suggestions are supplied with each pack.

Abbots Cone 6 Glazes

1.2litres of water per Kg of dry glaze is a useful starting point for mixing

Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 30 mins
(5) 80c per hour down to 1050c
(6) End
Read about this product
Rimu

$35.00 for 2kg
Rutile Blue

$35.00 for 2kg
Salmon Pink

$14.00 for 100ml
Salmon Pink

$60.00 for 500ml
Saturated Iron

$46.00 for 2kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.

Mixing and firing suggestions are supplied with each pack.

Abbots Cone 6 Glazes

1.2litres of water per Kg of dry glaze is a useful starting point for mixing

Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 30 mins
(5) 80c per hour down to 1050c
(6) End
Read about this product
Scoria

$46.00 for 2kg
Sea Urchin

$35.00 for 2kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.

Mixing and firing suggestions are supplied with each pack.

Abbots Cone 6 Glazes

1.2litres of water per Kg of dry glaze is a useful starting point for mixing

Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 30 mins
(5) 80c per hour down to 1050c
(6) End
Read about this product
Shale

$30.00 for 2kg
Sky Blue

$52.50 for 500ml
Smokey Blue

$46.00 for 2kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.

Mixing and firing suggestions are supplied with each pack.

Abbots Cone 6 Glazes

1.2litres of water per Kg of dry glaze is a useful starting point for mixing

Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 30 mins
(5) 80c per hour down to 1050c
(6) End
Read about this product
Smokey Green

$35.00 for 2kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.

Mixing and firing suggestions are supplied with each pack.

Abbots Cone 6 Glazes

1.2litres of water per Kg of dry glaze is a useful starting point for mixing

Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 30 mins
(5) 80c per hour down to 1050c
(6) End
Read about this product
Steel Blue Glass GRAIN

$8.50 for 100g

Glass Grain - Steel Blue
BGO123-G

Blowing or Casing Glass Colour Properties
These colours are constructed around 8 different base glasses, but the majority fit into three broad families.

Transparents:
We use a 28% lead oxide crystal matrix for all but the reds and yellows and photosensitive glass.
This base is easy to remelt, not prone to devitrification and gives particularly dense and brilliant colouration. Lead glasses are about 15% more elastic than common soda lime glasses, allowing for a greater expansion mismatch.

The reds and yellows, #’s 70-77 series, are lead free, containing either CdS.xSe or Cu2O. Based on a Soda Zinc matrix, they are colloidal colours and work best with soda lime clears with a close expansion match around 96 x 10-7 coefficient. See Gaffer Batch Not as elastic as the lead based colours. To avoid over striking, and consequently inducing opacity, try to work cold, with as few reheats as practicable.

Opals:
With the exception of #100 Enamel White and the Gold colours #’s 110 – 114, all of the colours are generated from the same lead free base. This makes our opal range unique, allowing colours to be combined with identical viscosity characteristics. The colours are dense, with overlays easily able to block out each other. This range has a relatively high softening point. We recommend a soak temperature of around 600oC (1110oF) before transferring rod to be heated in the glory hole, otherwise internal cracking (which you may not hear) will create small bubbles.

Chip and Powder:
Powder comes in two forms: Talc and Grain powder
Chip sizes are as follows:
KO 0.25 – 0.5mm, K1 0.5 – 2.0mm, K2 2.0 - 4.0mm K3 4.0 – 8.0mm.
Sizing is approximate, representing 95% of a sampling.
#’s 070, 071, & 072 are not offered in either talc or grain powder.

Rods: The rods vary in diameter between 30-32mm (11/4in).
The length is up to 400mm (16 in)

Density:
Glass blowers think weight rather than volume when they buy glass. Note from the photograph how all three rods are of equal length and diameter but weigh different amounts. Soda zinc and opal glasses are approximately 2.5g/cc, 28% lead glasses are approx. 3.0g/cc and Enamel White #100 is 3.7g/cc. Contrary to our competitors, most of our opal colours yield 20% more volume per weight owing to the fact they are lead free.

Read about this product
Steel Blue Glass POWDER

$8.50 for 100g

Blowing or Casing Glass Colour Properties
These colours are constructed around 8 different base glasses, but the majority fit into three broad families.
Transparents:
We use a 28% lead oxide crystal matrix for all but the reds and yellows and photosensitive glass.
This base is easy to remelt, not prone to devitrification and gives particularly dense and brilliant colouration. Lead glasses are about 15% more elastic than common soda lime glasses, allowing for a greater expansion mismatch.
The reds and yellows, #’s 70-77 series, are lead free, containing either CdS.xSe or Cu2O. Based on a Soda Zinc matrix, they are colloidal colours and work best with soda lime clears with a close expansion match around 96 x 10-7 coefficient. See Gaffer Batch Not as elastic as the lead based colours. To avoid over striking, and consequently inducing opacity, try to work cold, with as few reheats as practicable.
Opals:
With the exception of #100 Enamel White and the Gold colours #’s 110 – 114, all of the colours are generated from the same lead free base. This makes our opal range unique, allowing colours to be combined with identical viscosity characteristics. The colours are dense, with overlays easily able to block out each other. This range has a relatively high softening point. We recommend a soak temperature of around 600oC (1110oF) before transferring rod to be heated in the glory hole, otherwise internal cracking (which you may not hear) will create small bubbles.
Chip and Powder:
Powder comes in two forms: Talc and Grain powder
Chip sizes are as follows:
KO 0.25 – 0.5mm, K1 0.5 – 2.0mm, K2 2.0 - 4.0mm K3 4.0 – 8.0mm.
Sizing is approximate, representing 95% of a sampling.
#’s 070, 071, & 072 are not offered in either talc or grain powder.
Rods: The rods vary in diameter between 30-32mm (11/4in).
The length is up to 400mm (16 in)
Density:
Glass blowers think weight rather than volume when they buy glass. Note from the photograph how all three rods are of equal length and diameter but weigh different amounts. Soda zinc and opal glasses are approximately 2.5g/cc, 28% lead glasses are approx. 3.0g/cc and Enamel White #100 is 3.7g/cc. Contrary to our competitors, most of our opal colours yield 20% more volume per weight owing to the fact they are lead free.
Read about this product
Steel Grey

$60.00 for 500ml
Steel Grey

$100ml for 14.50
Tea Dust

$35.00 for 2kg
Teal Green Stain B7008 - Co-Cr-Al 1350C

$35.00 for 100g
Tenmoko

$35.00 for 2kg
Tomato Red

$16.00 for 100ml
Tomato Red Stain B3015 - Zr-SiO4-Cd 1250C

$35.00 for 100g
Turquoise

$14.50 for 100ml
Turquoise

$60.00 for 500ml
Turquoise Enamel Liquid

$??? for 50ml
Turquoise Enamel Powder

$15.00 for 25g
Turquoise Glossy

$30.00 for 2kg

The ABBOTS CONE 6 GLAZES have all been fired to cone 6 in an electric kiln.
Glaze has been applied by dipping and in some cases double dips show intensification.
These glazes, already interesting as they are have the potential to exhibit multiple and unique personalities when layered under and over one another.

Mixing and firing suggestions are supplied with each pack.

Abbots Cone 6 Glazes

1.2litres of water per Kg of dry glaze is a useful starting point for mixing

Suggested Firing Schedule:
(1) 100c per hour up to 200c
(2) 200c per hour up to 1050c
(3) 80c per hour up to 1200c
(4) Soak at 1200c for 30 mins
(5) 80c per hour down to 1050c
(6) End
Read about this product
Turquoise Stain Z202 - Zr-Si-V 1350C

$15.00 for 100g
Ultra Red Stain R879 - Zr-Si-Cd-S-Se 1350C

$42.00 for 100g
Varigated Blue

$30.00 for 2kg
Warm Brown

$19.00 for 100ml
Warm Brown

$80.00 for 500ml
White - 500ml

$52.00 for 500ml
White Enamel Liquid

$??? for 50ml
White Enamel Powder

$15.00 for 25g
White Satin Crackle

$30.00 for 2kg
Wine Red

$58.00 for 2kg
Yellow

$70.00 for 500ml
Yellow

$16.50 for 100ml
Yellow Bright Enamel Liquid

$35.00 for 50ml
Yellow Bright Enamel Powder

$15.00 for 25g
Yellow Stain Z501 - Zr-Si-Pr 1250C

$15.00 for 100g

Bot Pots - Botany Pottery Studio

3D Bay Blue Underglaze

3D Black Underglaze

3D Bright Yellow Underglaze

3D Dark Green Underglaze

3D Red Underglaze

3D White Underglaze

Abbots “Brush On” Clear Glaze

Abbots Brush On Clear Glaze Cone 3-6

Abbots Clear Glaze

Abbots Clear Glaze - 1kg

Abbots Clear Glaze - 25kg

Abbots Clear Glaze - 5kg

Abbots Clear Porcelain Glaze

Abbots Glazes - Suggested Mixing and Firing details

Abbots Range of Glazes Poster

Abbots Range of Glazes Poster

Abbots Universal Medium

Abbots Universal Medium

Abbots Universal Medium

Abbots White Glaze

Abbots White Glaze

Abbots White Glaze - 25kg

Almond

AMACO Underglaze Pencils BLACK

AMACO Underglaze Pencils BLUE

AMACO Underglaze Pencils BROWN

AMACO Underglaze Pencils GREEN

AMACO Underglaze Pencils ROSE

AMACO Underglaze Pencils YELLOW

Apricot

Aqua Green

Aqua Green

Black

Black

Black Enamel Liquid

Black Enamel Powder

Black Stain Z510 - Co-Ni-Cr-Fe 1280C

Blue Cobalt Enamel Liquid

Blue Cobalt Enamel Powder

Blue Green

Blue Green

Blue Sky Enamel Liquid

Blue Sky Enamel Powder

Bora Bora

Bright Violet Stain B9003 - Sn-Cr 1250C

Brown Golden Enamel Liquid

Brown Golden Enamel Powder

Brown Golden Enamel Powder

Brown Green Enamel Liquid

Brown Green Enamel Powder

Brown Mid Enamel Liquid

Brown Mid Enamel Powder

Burgundy

Burgundy

Butter Cup Enamel Liquid

Butter Cup Enamel Powder

Cadmium Red Glaze

Cadmium Red Glaze

Canary Yellow Glass GRAIN

Canary Yellow Glass POWDER

Carmine Glass GRAIN

Carmine Glass POWDER

CB - Albany (200ml)

CB - Albany (75ml)

CB - Aquamarine (200ml)

CB - Aquamarine (75ml)

CB - Aubergine (200ml)

CB - Aubergine (75ml)

CB - Avocado (200ml)

CB - Avocado (75ml)

CB - Bay Blue (200ml)

CB - Bay Blue (75ml)

CB - Berry (200ml)

CB - Berry (75ml)

CB - Blush (200ml)

CB - Blush (75ml)

CB - Bright Orange (200ml)

CB - Bright Orange (75ml)

CB - Bright Yellow (200ml)